"So don't worry if you do get to be old maids, girls," said Dan. "Remember, you'll be helping the clover crops."
"I never heard such stuff as you boys talk," said Felicity, "and Uncle Roger is no better."
"There comes the Story Girl," cried Cecily eagerly. "Now we'll hear all about Beautiful Alice's home."
The Story Girl was bombarded with eager questions as soon as she arrived. Miss Reade's home was a dream of a place, it appeared. The house was just covered with ivy and there was a most delightful old garden--"and," added the Story Girl, with the joy of a connoisseur who has found a rare gem, "the sweetest little story connected with it. And I saw the hero of the story too."
"Where was the heroine?" queried Cecily.
"She is dead."
"Oh, of course she'd have to die," exclaimed Dan in disgust. "I'd like a story where somebody lived once in awhile."
"I've told you heaps of stories where people lived," retorted the Story Girl. "If this heroine hadn't died there wouldn't have been any story. She was Miss Reade's aunt and her name was Una, and I believe she must have been just like Miss Reade herself. Miss Reade told me all about her. When we went into the garden I saw in one corner of it an old stone bench arched over by a couple of pear trees and all grown about with grass and violets. And an old man was sitting on it--a bent old man with long, snow-white hair and beautiful sad blue eyes. He seemed very lonely and sorrowful and I wondered that Miss Reade didn't speak to him. But she never let on she saw him and took me away to another part of the garden. After awhile he got up and went away and then Miss Reade said, 'Come over to Aunt Una's seat and I will tell you about her and her lover--that man who has just gone out.'
"'Oh, isn't he too old for a lover?' I said.
"Beautiful Alice laughed and said it was forty years since he had been her Aunt Una's lover. He had been a tall, handsome young man then, and her Aunt Una was a beautiful girl of nineteen.
"We went over and sat down and Miss Reade told me all about her. She said that when she was a child she had heard much of her Aunt Una--that she seemed to have been one of those people who are not soon forgotten, whose personality seems to linger about the scenes of their lives long after they have passed away."
"What is a personality? Is it another word for ghost?" asked Peter.
"No," said the Story Girl shortly. "I can't stop in a story to explain words."
"I don't believe you know what it is yourself," said Felicity.
The Story Girl picked up her hat, which she had thrown down on the grass, and placed it defiantly on her brown curls.
"I'm going in," she announced. "I have to help Aunt Olivia ice a cake tonight, and you all seem more interested in dictionaries than stories."
"That's not fair," I exclaimed. "Dan and Felix and Sara Ray and Cecily and I have never said a word. It's mean to punish us for what Peter and Felicity did. We want to hear the rest of the story. Never mind what a personality is but go on--and, Peter, you young ass, keep still."
"I only wanted to know," muttered Peter sulkily.
"I DO know what personality is, but it's hard to explain," said the Story Girl, relenting. "It's what makes you different from Dan, Peter, and me different from Felicity or Cecily. Miss Reade's Aunt Una had a personality that was very uncommon. And she was beautiful, too, with white skin and night-black eyes and hair--a 'moonlight beauty,' Miss Reade called it. She used to keep a kind of a diary, and Miss Reade's mother used to read parts of it to her. She wrote verses in it and they were lovely; and she wrote descriptions of the old garden which she loved very much. Miss Reade said that everything in the garden, plot or shrub or tree, recalled to her mind some phrase or verse of her Aunt Una's, so that the whole place seemed full of her, and her memory haunted the walks like a faint, sweet perfume.
"Una had, as I've told you, a lover; and they were to have been married on her twentieth birthday. Her wedding dress was to have been a gown of white brocade with purple violets in it. But a little while before it she took ill with fever and died; and she was buried on her birthday instead of being married. It was just in the time of opening roses. Her lover has been faithful to her ever since; he has never married, and every June, on her birthday, he makes a pilgrimage to the old garden and sits for a long time in silence on the bench where he used to woo her on crimson eves and moonlight nights of long ago. Miss Reade says she always loves to see him sitting there because it gives her such a deep and lasting sense of the beauty and strength of love which can thus outlive time and death. And sometimes, she says, it gives her a little eerie feeling, too, as if her Aunt Una were really sitting there beside him, keeping tryst, although she has been in her grave for forty years."
"It would be real romantic to die young and have your lover make a pilgrimage to your garden every year," reflected Sara Ray.
"It would be more comfortable to go on living and get married to him," said Felicity. "Mother says all those sentimental ideas are bosh and I expect they are. It's a wonder Beautiful Alice hasn't a beau herself. She is so pretty and lady-like."
"The Carlisle fellows all say she is too stuck up," said Dan.
"There's nobody in Carlisle half good enough for her," cried the Story Girl, "except--ex-cept--"
"Except who?" asked Felix.
"Never mind," said the Story Girl mysteriously.
YOU ARE READING
THE GOLDEN ROAD (Completed)
ClassicsThe plot is based around the character Beverley who remembers his childhood days with his brother Felix and friends and cousins Felicity, Cecily, Dan, Sara Stanley (the "Story Girl"), hired-boy Peter and neighbor Sara Ray. The children often played...
Chapter 16- AUNT UNA'S STORY
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