An Indie Musician's Diary Vol...

By ElisabethKitzing

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It's very complex, difficult, expensive, interesting and fun to be an independent music producer. And when yo... More

It's Rough Getting Started After Summer
Deeper Into Logic Pro 10.5 & Life
Logic Workflow and the CMM Book
The Vine, Sleep and the U.K.
Using Your YouTube Channel as a FaceBook Page
CDBaby UPCs and Pandora Submissions
MacBook Trouble & Making a Stereo Track Sound Fatter
A 3rd Party YouTube Claim & Multiband Compression
Clipping, Limiting & Battery Blues
Loudness/Dynamics in the Streaming Age
ifpi & Meta Tagging
Embedding ISRC codes/ID 3 Metadata Into MP3s & Wavs
Backups. Waves Plugins
Back On Track
Vocal Tips: Compression + Automation
My Don't Worry Music Video Featured & Drum Synth
Taking a stand for freedom
Social Media Analysis - Changes to be Made
Wrapping Up and Analysing 2020
How To Send A Live Concert On Zoom From Your Home Studio: Macbook; MTK12...
Pre Delay: What I've learned
Getting Ready to LiveStream Properly
Declaring International Taxes on Music Revenue
Let Peace Guide Your Mixing
Creating & Exporting an Instrumental Backtrack Mix
April 22, 2021: My first Swedish Song Drop!
Adding a "Wow" Transition Before a Drop
I'm Scared But I Keep On Going
My First Time on Live TV

We Did It! - Acoustic Treatment

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By ElisabethKitzing

Welcome back to the story of how I make music (books and videos too). It's August 2020

I have to admit that during the creation of the entire Change My Mind album (a process that I  explained in detail in Volumes 1 and 2 of the Indie Musician's Diary), I didn't have the proper acoustic treatment in the studio. So now you know that you, too, can mix a whole album using crazy makeshift panels, propping up various mattresses in the corners of your room and creating a sound barrier behind where you stand in front of your your microphone shield. That is how I got by with my first single and with the creation of the first album. 

It really wasn't a good way to do things but it was all I had. I have worked with other producers that didn't have more than a bookcase behind the microphone stand and who mixed everything in the box using earphones. They had good results and I thought I could get by with my method too. 

But my sisters had donated funds towards acoustic treatment and I felt I should get around to it this summer. So my husband and I sent away for  the foam sound absorbent panels, base traps and spray adhesive from Amazon and went to a Home Depot like store to get panels.

It wasn't as expensive as I feared, though and the result was amazing (coupled with a sound reducing curtain on the right side of the mixing area.

 Here is what we bought for the pic above

That made 6 panels with 12 pads on each and two corners filled with base traps. (The other two corners were either cut away by the curtain or filled with a sofa). Also, we were able to fix the angled inner roof by hanging a pleated curtain above the couch. 

The difference in the sound is amazing. It sounds a bit quieter and all the echoes/reflexes are now reasonable or unnoticeable.

I wish I would have invested in this long before. The real test will come when I start recording again. (Hopefully soon). First I have to clear up some problems that occurred when I updated my Mac OS. (next chapter) and get back onto my book that is now up in 72 000 words and counting. 

 The plan is to work four hours a day with the book and divide the rest of the day up with music creation and housework. 

Until next time....

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