CHAPTER ONE

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SIX MONTHS LATER

T he feeling of riding a train has always put me to sleep. I'm

far from unique in that. No matter what time of day it

    is, every train crisscrossing around the country is dotted

     with sleeping passengers. Some try to be subtle about it

and pretend they aren't really sleeping, crossing their hands over their

stomachs and closing their eyes as they maintain as perfect of posture

as they can. Others have no shame and dive into it full-bore, slapping on

their sleep masks, and curling up under blankets to hide from the trip.

I have a far deeper knowledge of that phenomenon now after spending

the last sixteen hours in this seat.

Right now, I'm fighting the urge to join the latter group. I have a giant

cardigan in the bag at my feet, and I want to wrap myself in it and just

block out the rest of the ride. Unfortunately, that's not an option for me.

My stop is coming up soon, and for the last seven hours, I've been on

strict orders to stay awake. I am officially on duty even if the messy bun

on tip of my head and my shoes sitting discarded to the side say differ-

ent. Paying attention to my surroundings is crucial, and I can't do that

sleeping.

This is the first time I've been allowed out in the field since the unfor-

tunate incident during my last operation. I'm not entirely clear on why

Creagan sprung me from desk duty to put me on this one, but it doesn't

matter. I'm tired of shuffling papers and never want to see another high-

lighter in my life. I can't afford to mess this up.

"If that means not letting myself sleep so I can be vigilant about what's

happening around me, even when I'm on the train, that's what I'm going

to do. And I will read the same newspaper for the tenth time to keep my

brain going even though it's creeping well past sundown. Fortunately

for this particular mission, the section of paper tucked in my bag when

I got on the train had just he bloody, disturbing story to keep my mind

from wanting to relax.

Unfortunately for me that bloody, disturbing story is the exact rea-

son I'm on this train headed to a tiny in the middle of nowhere. Or

more precisely to a train station on the train and I won't have to

pretend not to know them when they show up in town. Creagan sent me

alone. There's no backup to help in case things start to go wrong.

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Which means I sure as hell better keep them from going wrong.

And that brings me to the hours I've been keeping myself awake, pay-

ing attention to every face that walks past. The trip didn't actually have

to be this long. I could have driven straight from my neighborhood right

outside of Quantico in less than seven hours. But the direct path would

have been too easy to track. Instead, I've been on a round-about adven-

ture, changing trains and following a few different routes to get me on

this final leg. After every stop and stroll through the cars, taking

note of passengers who got on and off. I can only hope each of them gets

to their destination and none end up dead along the tracks.

My eyes sweep over the newspaper in my hands again. Ten sets of

eyes in stark black and white stare back at me. For at least two of them,

this train was the last thing they saw. For the other eight . . . well, they'll

have to be found before anyone will know that.

These ten are why I'm going undercover in Feathered Nest, Virginia.

With a name like that, the population of the town can't be high mak-

ing the number of victims all the more staggering. Eight of the ten are

still missing. According to the information Creagan gave me during my

briefing, the amount of blood found at the scene of each disappearance,

theory they are all dead. The two found mangled by the railroad tracks

offers a glimpse into the possibility of what might have happened to

them.

It's the interesting positioning of the tracks that brought me into this.

Though the two bodies were found locations within a few hundred

yards of each other, the curve of the track meant one, the young woman,

was actually in North Carolina. Once the blood starts spattering over

state lines, we tend to get involved.

Personally, I think creating a collection of eight missing person

posters on the utility pole of such a small town is a bit extreme of a

distance to go before calling in help. But I'm here now. And I'm going to

figure out what's happening to these people and stop the son of a bitch

doing it before it happens again.

A few minutes before pulling into the station, the sleepy-eyed
                conductor  makes his way down the aisle, letting us know we'll


        arrive soon. Neon note cards tucked  above  each  pair  of  seats

contain   abbreviations   indicating   our   destination. It's  no   surprise  I'm  the

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