we harvest humans in june,
when the weather isn't quite fair
and our bodies aren't quite happy.
but it's the ripest month of the year
and the humans are most joyful then,
glowing under palpable sunlight
beaming through gossamer-knitted leaves
chattering amongst thick artificial oak canopies.
their hair grow long and luscious,
and their skin darken, the stark blue of their veins dim
under a layer of healthy red and brown melanin.
late spring, bunches of them
surface from underground barns.
the young ones first, tottering on their tiny feet and hands,
then come the older ones, cautious and alert.
but soon enough, they are sprawling and running
on top of flat grass carpets whose creases and wrinkles
we carefully smoothed out and tucked away
under ugly hills and shadowy moors.
their tiny stick-figures wading in warm ocean tidal waves
we blow against the coastal line,
from red muddy shores to receding rocky levies,
from bumpy pebble-paved paths to white sandy beaches.
tiresome work, corralling and cutting them down,
but sometimes, we'd simply sit and watch
these innocent creatures, smiling and laughing and giggling,
blinking against the humid brightness and warmth
their eyes blow wide and fascinated,
tipping up to the circular rings of orange induction lamps
blazing down from the ceiling,
arms reaching out
like they might be able to grasp the light
rolling across their bare collarbones
and naked navels.
their short little lives and tiny brains
forever magnetize by the intangible heat
spreading across the back of their hands
and glazing over their flesh;
warming the tenderize water pools they're submerged in
and drying out the fattening feed we pour over their troughs.
even when we herd them onto creaky lorries
or open-topped containers,
bringing them from the farm
to restaurants in bundles of four;
even when they are stripped of all free-range roaming spaces
and instead contained in glass tanks, crawling
on capped knees and elbows
'round and 'round in an endless figure-eight pattern,
they're still looking upward, mouths open in wonder,
searching for something perhaps only they can see
between the flickering frequency of electricity
passing through a copper wire.
YOU ARE READING
Death of a Nihilist [poetry]
Poetryyou should be scared of life as much as you're scared of death. // A Modern Tragedy, Volume IV | UPDATING DAILY FOR APRIL //