Memorable World History/Authors

Samuel Pepys (Part II)

Personal life

The diary gives a detailed account of Pepys' personal life. He liked wine, plays, and the company of other people. He also spent time evaluating his fortune and his place in the world. He was always curious and often acted on that curiosity, as he acted upon almost all his impulses. Periodically, he would resolve to devote more time to hard work instead of leisure. For example, in his entry for New Year's Eve, 1661, he writes: "I have newly taken a solemn oath about abstaining from plays and wine..." The following months reveal his lapses to the reader; by 17 February, it is recorded, "Here I drank wine upon necessity, being ill for the want of it."

Pepys was one of the most important civil servants of his age, and was also a widely cultivated man, taking an interest in books, music, the theatre and science. He was passionately interested in music; he composed, sang, and played for pleasure, and even arranged music lessons for his servants. He played the lute, viol, violin, flageolet, recorder and spinet to varying degrees of proficiency. He was also a keen singer, performing at home, in coffee houses, and even in Westminster Abbey. He and his wife took flageolet lessons from master Thomas Greeting. He also taught his wife to sing and paid for dancing lessons for her (although these stopped when he became jealous of the dancing master).

He was known to be brutal to his servants, once beating a servant Jane with a broom until she cried. He kept a boy servant whom he frequently beat with a cane, a birch rod, a whip or a rope's end.

Pepys was an investor in the Company of Royal Adventurers Trading to Africa, which held the monopoly in England on trading along the west coast of Africa in gold, silver, ivory and slaves.

Sexual relations

Propriety did not prevent him from engaging in a number of extramarital liaisons with various women that were chronicled in his diary, often in some detail, and generally using a cocktail of languages (English, French, Spanish and Latin) when relating the intimate details. The most dramatic of these encounters was with Deborah Willet, a young woman engaged as a companion for Elisabeth Pepys. On 25 October 1668, Pepys was surprised by his wife as he embraced Deb Willet; he writes that his wife "coming up suddenly, did find me embracing the girl con [with] my hand sub [under] su [her] coats; and indeed I was with my main [hand] in her cunny. I was at a wonderful loss upon it and the girl also...." Following this event, he was characteristically filled with remorse, but (equally characteristically) continued to pursue Willet after she had been dismissed from the Pepys household.[44] Pepys also had a habit of fondling the breasts of his maid Mary Mercer while she dressed him in the morning.

"Mrs. Knep was the wife of a Smithfield horsedealer, and the mistress of Pepys"—or at least "she granted him a share of her favors". Scholars disagree on the full extent of the Pepys/Knep relationship, but much of later generations' knowledge of Knep comes from the diary. Pepys first met Knep on 6 December 1665. He described her as "pretty enough, but the most excellent, mad-humored thing, and sings the noblest that I ever heard in my life." He called her husband "an ill, melancholy, jealous-looking fellow" and suspected him of abusing his wife. Knep provided Pepys with backstage access and was a conduit for theatrical and social gossip. When they wrote notes to each other, Pepys signed himself "Dapper Dickey", while Knep was "Barbry Allen" (that popular song was an item in her musical repertory).

Text of the diary

The diary was written in one of the many standard forms of shorthand used in Pepys' time, in this case called tachygraphy and devised by Thomas Shelton. It is clear from its content that it was written as a purely personal record of his life and not for publication, yet there are indications that Pepys took steps to preserve the bound manuscripts of his diary. He wrote it out in fair copy from rough notes, and he also had the loose pages bound into six volumes, catalogued them in his library with all his other books, and is likely to have suspected that eventually someone would find them interesting.