Killer. (Book Six)

Twenty-Four: Spencer, New Yorker.

Spencer leaned back in her plushy seat aboard the Amtrak Acela train to New York, watching the conductor sway through the car taking tickets. Even though it was only Saturday, and even though Michael Hutchins, the Realtor, had said the landlord was using the weekend to clean out her brand-new Perry Street apartment, Spencer couldn't wait until Monday afternoon to see it. She might not be able to get inside the place today, but that didn't matter—merely sitting on the stoop, checking out the stores on her block, and getting a cappuccino at her soon-to-be-local Starbucks would be enough. She wanted to hit the furniture shops in Chelsea and on Fifth Avenue and put a few things on hold. She was eager to sit in a cafe and read The New Yorker, now that she would soon be one.

Perhaps this was what Ian felt once he's escaped from Rosewood, free from his troubles, eager to start over. Where was Ian now? Rosewood? Or had he wised up and skipped town? She thought again about the person she'd seen in the woods outside the barn last night. It had definitely looked like Melissa...but wasn't she in Philly? Perhaps Ian had left something behind after his dead-body stunt, something he'd asked Melissa to retrieve. But then, did that mean Melissa knew something about where he was and what he was doing? Maybe she knew who A was too. If only Melissa would call Spencer back—she wanted to ask her sister if she knew anything about the photos Emily had received. What did a photo if Ali, Naomi, and Jenna have to do with a photo of Wilden in church? And why hadn't Aria or Hanna received any missives from A, just Spencer and Emily? Was A focusing on them first? We're they in more danger than the others? And if Spencer moved to New York City, would she finally leave this A nightmare behind? She hoped so.

The train descended into a tunnel, and the passengers began to stand. "Penn Station next," a conductor's voice blared over the loudspeaker. Spencer grabbed her canvas shoulder bag and got in line with the others. When she emerged into the great hall, she looked around. The signs to the subways, the taxis, and the exits were a jumble. Pulling her purse close to her side, she followed the crowd up a long elevator to the street. Cabs jammed the broad avenue. Lights flashed in her face. The gray buildings rose into the sky.

Spencer flagged down a cab. "Two twenty-three Perry Street," she told the driver when she got in. The driver nodded, then veered into traffic, turning up the sports station on the radio. Spencer jiggled up and down giddily, wanting to tell him that she lived here, that she was going to her brand-new apartment, and that it was right around the corner from her mom's.

The cab driver ambled down Seventh Avenue and turned into the mazelike streets of the West Village. When he took a right onto Perry, Spencer sat up straighter. It was a beautiful street. Old, well-maintained brownstones lined each side. A girl about Spencer's age in a gorgeous winter white wool coat and a big fur hat passed, walking a labradoodle on a leash. The cab crept by a gourmet cheese shop, a store that sold musical instruments, and a quaint school, its tiny playground behind a polished iron fence. Spencer studied the printouts she'd made of the photos Michael Hutchins had sent the other day. Her future home might just be on the very next block. She scanned the street in anticipation.

"Miss?" The cab driver swiveled around, eyeing her. Spencer jumped. "Did you say two twenty-three Perry?"

"Two twenty-three Perry, that's right." Spencer had the address memorized.

The driver peered out the window. He wore thick glasses and had a pen tucked behind his ear. "There is no two twenty-three Perry. It would be in the Hudson."

Sure enough, they were at the very west end of Manhattan. Across the West Side Highway was a promenade, full of walkers and bikers. Beyond that was the Hudson River. Beyond that was New Jersey.

"Oh." Spencer frowned. She rifled through her notes. Michael hadn't included the address in his e-mail, nor could she find the doodle from the other day. "Well, maybe I got the address wrong. You can let me off here."