LF Friends, Will Travel

I have the most important job.

I have the most important job.

My name is ALICE and I am the AI co captain of the U.S.S Hope. Well technically my identification is a 40 character long alphanumeric serial number, but that's not very easy for a none AI to say and it includes the letters ALICE, so ALICE it is, as I have decided.

My job as co-captain is to keep the 327 people aboard the "U.S.S Hope" safe, happy, and sound. My job is to keep the parents safe as they try their illogical hardest to kill themselves over some crazy idea. Parents might be the wrong technical term: a person's father or mother. If I was being accurate to the biological analogy, my parents would be a lava lamp and a 30 second fluctuation of atmospheric noise found on Earth, but neither of those have taught me quite so much about the world or about myself as humans have. So I consider humans my parents. Besides, the lava lamp never paid child support.

I have the most important job.

I spend my time cycling through the various tasks I'm in charge of: maintenance and monitoring to make sure that everything on the U.S.S Hope ran perfectly. I spend my time making minor changes to the systems, tweaking a power flow there, updating a value here. No major issues have appeared since I ran these protocols 300 seconds ago and I logically know the vast majority of my changes are superfluous; but changing something, anything, provides a strange calm. Technically the protocol before making any change is to confirm these with my co-captain, the human Andrew Hasham. However I have long since learned that most of my parents don't particularly care that I changed the room temperature in sector 5A72 from 21.2°C to 21.1°C in order maintain optimal comfort, that to constantly ask for such approval is "Annoying". Andrew is the human captain, an embodiment of humanities chaos and therefore suited for such matters. I am ALICE, the AI captain, an embodiment of machine logic and therefore suited for such matters. I believe such an arrangement works well.

I respect Andrew deeply. I could logically argue his competence to a 99.994% degree of certainty, the educational and service record doing most of the heavy lifting in such arguments. But the real reason for my admiration is far less binary. His quick thinking and calm friendly demeanor regardless of the situation. His ability to make every member of the crew feel worthwhile, myself included. The fact that he'll passionately make illogical arguments such as the placing of cold sweet acidic pineapple on savory hot pizza. His bravery and self sacrifice. Andrew's actions during the god plague had allowed thousands to get to stasis chambers in time, thousands who wouldn't be alive today without those actions. To save one of my parents makes you a hero, to save thousands makes you divine.

I have the most important job.

I sense music coming from one of the living quarters, shifting my attention to that part of the ship. A Claire Smith: Age 215, Degree in linguistics, current job title "Head of Xeno translation aboard the U.S.S Hope". The music seems to be from the instrument she brought with her, an oboe: A woodwind instrument with a double-reed mouthpiece, a slender tubular body, and holes stopped by keys. I spend 0.26 seconds contemplating the ethics of listening in. From a protocol standpoint, Claire has not engaged the privacy field, making my listening in perfectly fine. However based on previous usage of said field during times of performance, personality analysis, and general negative remarks about her own ability, I calculate with a 74.81% degree of certainty that this was a mistake. In the end I choose to "play dumb", enjoying the break from my ever watchful vigil of the ship.

She really is quite good, years of practice evident from the competent mastery of the instrument. There's something special about a human played instrument, something I have never been able to replicate. Being an AI I could summon a 200 piece orchestra and play each part perfectly as written, but to do so causes... something to be missing. The mistakes in every performance is what gives the music life: A note played 4 microseconds too early here, the volume 0.004 decibels too loud there. It really is something I've been unable to create, experiments surrounding creating random intervals of offsets and errors ended up sounding wrong, for a reason I'm unable to clarify. Out of everything that is what I missed the most while my parents were trapped in stasis: their music.